We create this organic mass, formed by almost anthropomorphic bodies intertwined with each other, reminiscent of a rhizome that is formed from roots or tangled beings.
We are situated at the same time, in a fiction in which a macropolitical multitude of bodies is fused, each one with its personal idiosyncrasy. It is not biology that unites us, but our experience and having managed to transgress gender assignment and imposed norms.
Intertwined Inconsistencies: Incomplete Rhizomes I, III, IIV y IX.
Textile
The rhizome is part of who we are, part of a collective identity. Our artistic practice is a way of experimenting with that rhizome as long as we can hold it(us). It’s part of a process of constant transformation, a rhizome always developing.
Therefore, our artistic practice is always in process, changing. To come into contact with the rhizome in every possible way, we are developing a mass like the one previously mentioned, but this time it allows us to germinate rhizomes inside, so that we can later ingest them.
In this way, the research process will become not only formal or theoretical but also something physical, literally going through our bodies, making the rhizome not only “a body,” but “our body.”
Sketch of Intertwined Inconsistencies: Incomplete Rhizomes
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