Stone*-Aces Deeds
We use autoethnography and art to experiment with the stereotypes associated with stone*-ace people.
Through this project, we subvert the idea of the researcher as an external observer, becoming active participants within the very collective being studied—experiencing its practices from the margins to discover perspectives beyond the traditionally recognized ones. The prevailing notion suggests that such individuals are sexually—and at times emotionally—“impenetrable” due to trauma, or that, in the case of stone identities, they exist in a dysphoric state that prevents them from “seeing themselves as women” during sexual practices.
We aim to create a space for critical reflection around these assumptions and to seek out other ways of understanding the undeniable diversity surrounding stone*-ace experiences. The project is grounded in an experimental process that involves touching the body of a stone+-ace subject (one’s own body) through various materials. In this work, one of us creates multiple body molds of the other in a repetitive process that forces us to look, again and again, at the lover’s body from new perspectives. Through this, we aim to find different contrasexual ways of touching and gazing at the body of the person toward whom affection is felt.
Phase I
This project brings together diverse methodologies to create a dialogue between lovers—one that subverts normative relational dynamics. The research process currently consists of two phases. Phase One involves experimentation solely with plaster, documented on video. From this stage, two plaster molds remain, allowing us to view the lover’s body differently through these records. We create a space where we re-signify the concept of touch—connecting with the form of a supposedly untouchable subject through the tactile sensation and temperature of the plaster as it sets.
Phase I of the project Stone*-Aces Deeds (2024) belonging to the project Imaginaries of Lovers (2024-in progress)
Plaster and video.
Phase II
Phase Two documents the process and its remnants through a photographic montage, accompanied by three short diary-like texts in which we recount the experiences and sensations provoked by white glue, plaster, and alginate on the body. This second phase remains ongoing, with plans to incorporate additional materials into the experimentation.
The documentation is made using materials that are typically discarded or considered of low value—therefore, through this process, we grant them new significance beyond their conventional role in more hegemonic artistic practices. The documented artistic-sexual process itself becomes the final piece of the project, alongside the fragments of material traces left behind after the practice.
Phase II of the project Stone*-Aces Deeds (2024-in progress) belonging to the project Imaginaries of Lovers (2024-in progress)
Plaster, alginate and white glue. Digital color photography and writing.
